Post-Production Rentals

High Def/Post Production Rentals

As Post-Production technology changes so quickly, we are constantly upgrading equipment and software, so please call us with specific questions or needs. Additional media storage can be ordered as needed. We price by the Day, Week, Month, or Project – with or without Editor and/or Assistant Editor.

Final Cut Pro HD - Suite A

System Info

Quad 2.5 GHz Processor PowerMac G5 4.5 GB DDR SDRAM

GeForce 6600 Graphics Card 2.4 Terabyte Raid

Kona Video Card with digital/analog In/Out

24" Apple HD Cinema Display

20" Sony Trinitron CRT

Software

 

Final Cut Pro, HD (2K Finish Avail.)

Photoshop CS2, Illustrator CS2

Shake Effects Engine, Aperture, DVD Studio Pro

Maya 3D, Cinema 4D

Adobe After Effects 7.0 (Production Bundle)

      -Cyclone FX 1.0

      -Digital Anarchy's Tsunami

      -Professional Effects

      -Trap code Package

      -Boris EFX

      -Ultimatte Digital Compositing

Edit Suite Rentals includes use of Screening/Conference Room

Final Cut Pro HD - Suite

System Info
Dual 876 MHz Processor PowerPC G4
1MB L3 Cache per processor
1.5GB DDR SDRAM
Dual Partitioned Hard Drives
560 GB Available Hard Drive
Dual 15" Flat Panel LCD Displays
Internet Loaded
Networked

Software

Final Cut Pro, Photoshop CS2
Illustrator CS2, Shake Effects Engine
DVD Studio Pro
Adobe After Effects 7.0 (Production Bundle)
Cycore FX 1.0
Digital Anarchy's Psunami
Professional Effects
Trapcode Package
Ultimatte Digital Compositing

AVID Film Composer 9000 NTSC/PAL/24F/SD- Suite C

 

AVID Film Composer 9000 (will output 24F Neg. Cut List or work for NTSC or PAL Finish)

Off-line Res. AVR 3s, 12 On-Line Res. AVR 70-77 All Film Composer AVR’s

AVR 3s, 12 are Off-Line Quality

AVR 70 is Broadcast Quality Comparable To DV-Cam Format

AVR 77 is Broadcast Quality a bit better than Digital Betacam (Best Quality)

Analog COMPONENT IN/OUT

4-head Hi-Fi Stereo VHS VCR’s, CD Player

Mackie 1604 Audio MixerJBL Studio Monitors, Horita PAL & NTSC Signal Generators

TENLab PAL/NTSC/SECAM Standards Converter

Graphics Workstation Suite D

 

MAC G4 with/Photoshop, Painter, DeBabelizer, Commotion, Magic Bullet,

Infini-D, Adobe Illustrator, Vector Effects, Boris FX

Adobe After Effects (Production Bundle),

Final Effects, Studio Effects, Elastic Reality, Goo,

Ultimatte Digital Compositing System

Edit Suite Rentals includes use of Screening/Conference Room SUITES CAN BE CONFIGURED FOR 24F FILM FINISH, PAL OR NTSC

Call for rates and availability

Decks/Monitors/Video Projectors

AVAILABLE WITH ALL SUITES – Mini DV Input also available

Sony UVW 1800 BetacamSP Recorder/Player NTSC 195.00/Day

Sony UVW 1800 BetacamSP Recorder/Player PAL 195.00/Day

Mini-DV Digitizing Source/Analog to Digital Input Source 165.00/Day

Sony VO 9850 ¾”SP Recorder/Player 105.00/Day

SONY VO 9000 ¾”SP Player 75.00/Day

Panasonic VHS Recorder/Player 25.00/Day

Sony RM 450 Edit Controller 45.00/Day

Panasonic BT-HI350Y 13” Multi-Standard Monitor 55.00/Day

Sony PVM 1270G 12” Multi-Standard Monitor 65.00/Day

Sony PVM1944Q 17” Multi-Standard Monitor 75.00/Day

Audio Post/Digital Mixing & Editing

 

Edgewood features a state of the art Pro-Tools digital editing/mix suite operated by Sound Designers Toby Fitch and Dan Mazur. With over 30 feature credits mixed to date, our team combines the latest in digital technology with an organic understanding of the eclectic properties of effective sound design From a compressed Broadcast Television Mix to the wide dynamics of Theatrical Feature Releases, Edgewood can keep your soundtrack fully in the digital domain.

Services include: Dailies Sound Laybacks, Foley, ADR, Dialog/Effects Editing, Foreign Music and Effects track preparation, separation of sound stems, final mix.

*NOTE- Edgewood Studios Music Publishing (ASCAP) maintains a large library of incidental and dramatic music compositions and recordings. ESMP offers many music types available for scoring your project. (Through license agreements.)

Audio One -Dual ProTools Digital Audio Workstations

 

ProTools7LE+ ProTools 5.3 w/TDM & Machine Control

Mac Based Platforms

Mackie HUI Automated Mix Controller

Mackie 24*8 /8 Bus Mixing Console

State of the Art Software Based Effects Processing including:

Reverb, Time Compression & Expansion, Pitch Shifting, Multi EQ Modes

Gating/Compression/Limiting, Level Normalization, Noise Reduction, Flange, Delay, Mod. FX, Voc-Align…

Tascam DA-88 Multitrack Mastering Player/Recorder

Tascam Timecode DAT Recorder/Player CD Player Tascam Pro Cassette Decks

Large Music and Sound Effects Library/Plus our growing In-house Effects Collection

BetacamSP, ¾”, VHS Decks Available (Time Code Lockable)

Sigma Black Burst Generator

NTSC and PAL Compatible

TC Locked Large Screen Multi-Format Video Projection to VCR or Digitized Media

Includes use of adjoining V.O./ ADR booth

Recent Projects Mixed at Edgewood Include:

“Illegal Aliens” Feature Comedy – Starring Anna Nicole Smith and Joanie “Chyna” Laurer
“EYES” Warner Brothers Television (SERIES) - ADR Sessions with Tim Daly
“Zombietown” Feature – Zapatos Para Todos Productions - Directed By Damon LeMay
“Ice Queen” Feature – Triumvirate Pictures - Directed By Neil Kinsella
“The Prize Fighter” Feature - (Music & Effects Mix) – with Gary Busey
“Out Of The Wilderness” Feature – (Music & Effects Mix) – with David Carradine
“Arachnia” Feature – Written & Directed By Brett Piper
“The Bread My Sweet” Feature - (Music & Effects Mix) – with Scott Baio
“Psyclops” Feature – Written and Directed by Brett Piper
“Last Link” Documentary - Director/Producer Ben Kahn
“Burgundy” with Jock McDonald - Writer/Director Michael Fisher
“Morgan’s Ferry Trailer” with Billy Zane & Kelly McGillis
“Radical Jack” with Billy Ray Cyrus & De Dee Pfeiffer
“18 Shades of Dust Trailer” with Danny Aiello
“Peril” with Morgan Fairchild & Michael Pare’
“Icebreaker” with Stacy Keach, Bruce Campbell, & Sean Astin
“Jekyll Island” with Brion James, Finola Hughes, Don Mogavero
“Without Evidence Trailer” Angelina Jolie, Scott Plank